DELAY IN MIC LOGIX PRO X PROFESSIONAL
Then I'd recommend playing a few of your favourite commercial mixes through BX Solo (for instance) and listening to the mono and stereo-difference components in isolation, to identify the elements that professional mix engineers have applied stereo treatment to, and hear how these treatments can change from one section of a song to the next. Both Brainworx's excellent BX Solo and Voxengo's MSED are free to download (a quick Internet search should turn up both of them quite easily). To help you judge the stereo difference and mono components of a mix separately I would strongly recommend getting hold of an M/S (Mid/Side) plug‑in, to allow you to solo the mono or stereo‑difference aspects of your mix and listen to them in isolation. Check out Timbaland's 'Give It To Me' to hear judicious use of such processing in a commercial track. Stereo width processing can make a lead vocal sound huge in a chorus, or move a synth pad to the far reaches of the stereo field. Manipulating the stereo width of different parts of a mix is a processing technique that's central to contemporary mixing. Logic's processing tools can be used to manipulate stereo width, adding interest to your mixes.